Are these torches capable of helping to shoot a professional quality underwater video (or photos)? On which ways (if any) could I integrate them on my workflow? These are the answers that I was seeking for the last weeks and which I’m answering next.
Snooting is mostly removing distracting / unwanted elements, highlighting the theme and subject of an image, so it’s easier to read. As a bonus, in many circumstances, it renders crisper lively colours, as the light isn’t reflected from the background into the subject, but goes straight into it. Underwater, snoots are also a great took for reducing backscatter allowing to shoot in circumstances where normal strobe light would render the images unusable.
I started using SMC-1 roughly two years ago, on a cropped sensor DSLr camera (Nikon D7100 and 7200, afterwards). Once upgrading to full frame (Nikon D810), I missed that extra range, which allowed me to frame these 2 / 3 mm critters, without need for cropping.
However, after making a quick test on land, and a few dives with it, I realise it wasn’t exactly what I expected.
Categories: Underwater • Tags: Diopter, elabcreative, Elabcreativeteam, extreme magnification, nauticam, Nauticam SMC-2, Nauticambali, Nikon D810, product review, smc-2, supermacro, underwater macro photography, underwater photography, wet lens